Features 2000

The Tale of Beauty and the Beast

Four Stars! Talented Grade School students
with talented parents present annual operetta.

Natalie Thomson

BEAUTY AND THE BEAST

Beebe School     March 4, 2000 - Sunday

I went to a local elementary school play yesterday.......a BIG annual event! The experience was a combination of exciting, lovely, cute, serious, and  sometimes funny. Throughout, the audience got the feeling that the Kindergartners through Fifth Graders were doing their very best at a proper age-level assignment, and, all the while, enjoying themselves to the hilt.  I met a lot of the proud audience and among the glowing remarks was sometimes the  revelation that so-and-so "....is SOOO shy! But look at him on stage! He comes right out of himself! He loves it!"

"The Tale of Beauty and the Beast" had two full casts, each performing one evening and one afternoon production. Each cast was comprised of twenty-four roles and about twenty chorus performers for a total of close to ninety student actors. Their parents produced the extravaganza with the teachers' and Principal's full cooperation. Let me tell you.....these parents were wonder-full.  (I came up with that word after scouring my brain for just the right one.) Some parents had worked and produced since last spring; others started sewing and painting last autumn; still others rearranged their family life to accommodate their stars' schedules. Some went to rehearsals to maintain cheerful order, and then showed up in black jerseys and slacks at the performances to help out with costumes and continuity in the backstage community.

There were those parents who have been Producers for hours, days, weeks and months of creative energy and cheerful labor: the talented and diplomatic Production People who have continued raising their families, running their households, working at their careers, watching the rest of their young family's scholastic accomplishments, and providing varied recreational outlets for every family member. In addition to all of the above, they survived this production with smiles on their faces and a surety in their minds and hearts that they had individually and collectively produced a fine, fun experience for their families.

Actors, actresses and Production Staff......they all have earned Four Stars.....make that Five Stars.

REHEARSAL DAY

I got to the Middle School early on this second day of the final rehearsals and about eight of the alumni sixth grader stagehamds were waiting in the auditorium, up by the stage, for the entire dramatic group to arrive from the Beebe Elementary School.

One helpful student told me that her Mom, Laura Hume, was in charge of costumes, another worker told me that his Dad, Brian Thorp, was in charge of the music. They said that the parents had made the background scenery and also props like the barrels and the pushcart.  

In the rear of the darkened stage stood a twenty-foot ladder with an ascending and descending man, unidentifiable in the shadows.  Later, Mark Forth, the Lighting Director, was telling his young assistant how to secure the cable they were running down the aisle from the back of the auditorium. There were at least three or four fathers doing bustling jobs and quietly holding consultations when necessary. John Harrison was alone near the back entrances, behind a large sound control panel. He pointed out that the lighting controls and the operators, Mark Forth and Chris DeThomas, were in the booth above his head.

Some anxious starlets waited politely to ask their serious questions about shoes, costumes, etc. which The Director, Laurie Frank, answered lightly and graciously with a confident affirmative  "Yes" or "OK." She was the in-tune-with-everyone smiling Director, Ambassador, Diplomat, Counsellor, ad infinitum, on a cheerful grade school level.
                                                    
The Beebe School gym teacher helped the three or four mothers keep order among the cast sitting on the left side of the auditorium. I noticed only one fifth grader who seemed to be "browsing" the gathering, looking for a little "action". It never materialized.

One young helper, a little apart from the rest of his on-stage crew, did a professional prat-fall, downstage center, but no one responded. He shuffled back to his working group.

Josephine Saraceni was a member of the Production Team along with Chris Palmer and Laura Hume. She summoned a fourth grader to stand in front of her as she tried on him a hat she had made for Scene Two. She removed it, slowly cut the opening larger and larger to fit it to him until she was satisfied.  

The Director, in a pleasant voice, asked for attention and everyone quieted down. She announced that they were about to start and anyone who had to visit the bathroom should do so now. There was a mini-exodus.

Suddenly, the lights in the auditorium were blacked out and on stage one of the lighting devices that the crew had been working on began to shower a kaleidoscope of colored lights for a minute of testing. As the regular lights came up, one fifth-grader standing near me said quietly, "That was cool!"

Colleen Kirby, Assistant Director, standing halfway up the stairs that led to the stage, captured the attention of the seated players, and laid down the Rules for Rehearsals. She then called out the names of some of the parts to go to the backstage hallway to be costumed. I'm sure that her counterpart on the other team, Donna Johanson, did exactly the same at the alternate days' rehearsal.

Those gradeschoolers that sat and waited their turn to be on-stage, occupied themselves in small groups. Some had a hand-held puzzle game. Quiet conversations went on between others in groups of twos, threes or fours.

There was a stagehands' instructional meeting being held on stage. In two groups, each practiced moving the six-foot-high folded scenery so that, first, one side faced the audience, then they changed the setting to the back side of each piece and produced a different scene. The large pieces they slowly hoisted and moved were exceptionally realistic and filled the stage with warm, homey scenes, enhanced by the creative, professional lighting. They were created by Rich Traversy, Patty Norton, Lois and Amanda Conroy, Darlene Dadley, Nancy Naslas and Mary Houten.

Much to my delight, the players began coming out, in their costumes, from the backstage dressing rooms. It seemed that they walked differently than from when they had gone in. Some were wearing gracefully swaying hoops beneath their long skirts, others wore pinafore aprons which they occasionally flipped with their hands as they danced by. Some boys were in masculine, woodsy bolero jackets with matching pants. There were some over-the-head-to-ankle costumes, wired to keep their shape, and many, many more.

The creative talent of  Costumers Kaylee O'Malley, Laura Hume, Pat DeYoung and Penelope Young cast a theatrical spell, and thus, illumined the players with the magical aura of becoming "someone else."

Amy Mack and Ellie Falvey had plenty of information for publicity.

The tickets for the public to view these delightful scenes, costumes and performances were distributed by Beebe parents Barbara Baker and Joan Nordberg.

The duties of R & R (Raffle and Refreshments crew) were carried out by Kathy Driscoll, Carolyn Payton, Meg Birdlebough and Mary Houten. Occasional flashes from a camera (was it Julie Laverty, Photography) captured candid poses which will live on for scores of future years.

It was decided to put a Special Thanks note in the program to recognize Chris DeThomas' contribution to the lighting and sound.


The Stage Crew, so pertinent to the play's success, were some Beebe School Alumni Dan Baldwin, Tommy Brennan, Geneva Frank, Ashley Hume, Donald Hume, Nicole Hume, Ryan Johanson, Betsy Johnson, Ross Martin, Kristen Oxley, C. J. Palmer, Jennifer Rafferty and Dylan Thorp. Filling the same positions were Mike Birdlebough, Anna Chirico, Jeff Donohue, Sam Grant, Paul Laverty, and Andrea Nordberg.  

Walking up the street after I left the rehearsal, the enormity of this undertaking flooded over me. It wasn't just a BIG project, it was MONSTROUS. It wasn't even a project....it was a parental endeavor to open new doors to the children on their individual age level as part of a special group.


PRODUCTION AFTERNOON

I have never been made to feel more welcome! Everyone in production and in the audience was in a gala mood. I was handed a Program (soon to become a souvenir) by Debbie Brennan -- or was it Flora McQuilles? I was invited by the mother of today's Beast to attend the big Closing Party the next afternoon at her home.

The curtain, which seemed to hang from ceiling to floor and wall-to-wall, was beautiful with its blue-green iridescent satin-look that changed in color and texture as different spotlights were cast on it.

The audience almost filled the two center sections of the auditorium and spilled over into the first few rows of the side sections. Talking, buzzing, etc. etc. filled the auditorium. I sat beside a woman who was attending with her nephew's grandparents. She was carrying flowers for a niece in the chorus and family pride for her nephew, The Prince who evolves when the Beast is spirited offstage.

The Announcer was unseen, but was great in keeping the audience up to date on when the curtain would open. He thanked all of us and the play began.

The Assistant Director, standing on the auditorium floor (headphones on - all in black - papers laid out on the edge of the stage in front of her) never rested.

The lights went down. The music started. The curtain opened onto a village setting. The villagers were all in beautiful costumes! The lighting was perfect! I could hear everything, thanks to Jon Harrison.

FROM MY "NOTES IN THE DARK"

"Be Our Guests" received an ovation! Stage activity excellent!  Sound excellent! Curtain person excellent! Parts memorized  beautifully. The Beast - Terrific! Great sets! - Fine stage crew. One event: Curtain closed - one short actor stranded - He chose to duck under the curtain and disappear - He brought down the house.
Beautiful singing voices - great soloists!

"It's Never Hard to See Why."

The whole thing was an AMBITIOUS undertaking.....and the hopes were fulfilled!

INTERMISSION

After Intermission, I became enrapt and forgot to make notes until the auditorium dimmed and a kaleidoscope of revolving lights swept the ballroom setting, and the star danced in a golden gown that made her a real live Beauty. The audience "ahhhed."

The villain was abolished, the Beast had been turned into a Prince, and everyone lived happily ever after.

APPLAUSE!  APPLAUSE!  APPLAUSE!

As I put on my coat to leave, a woman stopped in front of me, pointed to the stage and announced, "I'm her mother!"  

APPLAUSE!  APPLAUSE!   APPLAUSE!

   *        *        *        *        *        *        *




Red and Blue Cast Members: Narrator: Megan Birdlebough and James Payton, Prince: Ryan Brennan and Sam Corbin, Beggar/Enchantress: Maria Scocca and Kelsey Johanson, Belle: Kristen Baker and Kerri-Leigh Palmer, Beast: Matthew Scocca and John Randolph, Baker: Cameron Murray and Kayla Smith, Bookseller: Nicholas Saraceni and Jillian Palmer, Barber: Dale Parsons and Cameron Harrison, Merchant: Jarid Johanson and Soraya Taghi, Lefou: Jonathan Mack and Michael McDermott, Gaston: Sean Johanson and Elias Thorp, Footstool: Bridget Corso and Hallie Thorp, Dale: Alex Saracini and Maria Krol-Sinclair,Wardrobe: Lauren Murray and Brittany Boyle, Maurice: Bryan Hume and Ryan Began, Lumiere: Elizabeth DeYoung and Susan Johnson, Cogsworth: Meaghan Darling and Mary McDermott, Mrs. Potts: Stephanie O'Malley and Alyssa Driscoll, Chip: Katelyn Croce and Emily Lewalski, Featherduster: Laura Dillon and Ellen O'Brien, Stove: Cindy Huynh and Stephanie Houten, D'Arque: Ben Silva and Christopher Kiernan, Phillipe: Cameron Frank and Leo Norton
            
Chorus: (Red & Blue Casts Combined) Corey Bailey, Kathleen Birdlebough, Madeline Birdlebough, Megan Birdlebough, Emily Brennan, Ryan Brennan, Dennis Conroy, Sam Corbin, Robert Croce, Courtney Dudley, Samantha D'Amico, Sean Darling, Shanley D'Innocenzo, Rachel Feraco, Laura Forth, Cameron Frank, Rayna Frank, Michaela Gonzales, Alex Guirakhoo, Cameron Harrison, Daniel Johnson, Linnea Kirby, Bridget Krane, Bridget Laverty, Breanne Mackey, Casey McQuillen, Mary McQuillen, Jessica Messina, Emily Morgan, Lucy Naslas, Leo Norton, Maggie Norton, Catherine O'Brien, Dale Parsons, James Payton, Kevin Randolph, Stephanie Ruggerio, Maria Scocca.

April 7, 2000


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